Відео

@@davidreid6957 thanks for letting me know. I have not heard this before and have not seen it myself. I’ll take a look.

@@bryanstaddon5998 that’s easy for you to say lol

If I get a minute, I'll make some. But I'm sure you can find at ultimate guitar or Songsterr....

Yeah!!! Doing it with pull offs is a great idea.

I don't. Hopefully someday!

Glad that this was helpful for you. The original is definitely recorded a half step flat, for sure. But my student wanted it in standard, and I wanted to oblige.

I think it's more the economics of music that affect this. Not the technology itself.

@@jamclass the technology does play a huge part. "producers" have an immediate access to drum samples that have prepared before hand, but the problem everyone has access tot eh same drum samples. two songs can use the same drum patterns and samples with the producer having to put zero effort into playing an instrument. same goes for lyrics, singers wake up, touch their phones and hop onto the studio, with a little to no exposure to reality, so they basically recycle lyrics. the eperience with whatever they sing about isn't first hand...

@@kwanele_dev I would say that again, this economics. Not tech. Producers grab the easy, already made stuff because: there is no money in recorded music the way there used to be. Time is money. So they dont' take time to craft a cool custom sample. It doesn't scale. As they say. I don't think that has anything to do with creativity. It has to do with economics.

That and in the dryer vent

I like giving them people names. It’s tradition It’s kind of a tradition. Gordon and his brother Stewart are named after musicians.

@@jamclass Gordon Lightfoot n Stewart who??maybe rod swewart

@@gregamerson9172 not Gordon Lightfoot. Another famous Gordon singer. Tho the Gordon part may not be obvious.

@jamclass ain't got nothing else u can tell or not but I'm done guessing

@@gregamerson9172 I’m in no hurry for the big reveal. But there’s a band that has both a Gordon in it and a Stewart in it. That’s the clue.

Thank you. Let’s not let it go to his head. 😂

Thank you! Cheers!

I would be much obliged, thank you very much.

Best tuition version of this masterpiece anywhere … I think i might be right by saying Billy from the Smashing Pumpkins wrote/arranged this.. Another fab song for your tuition poss/hopefully.. 1979 by the pumpkins..

Aint that the truth!

"There are two means of refuge from the hardships of life: music and cats." Albert Schweitzer

Thank you. They were long overdue.

Let er rip! Good luck!

The Buddy Holly version is not, you are correct. It depends which version you are talking about. Here I'm talking stones. Thanks for checking in. Rock on.

Thank you my friend.

my pleasure!

Break it into small pieces. The first half of the riff. The second half. Practice each. Maybe even smaller pieces than that. Just for the chords. Just practice one transition. The key is conscious competence. Practicing is a form of meditation. Short sessions with your full attention. Good luck! Thanks for checking in.

i did it, thank you man ❤

So Glad it helped! Please subscribe, follow, etc.! Cheers!

Thanks for stopping by. I’m trying to get at the harmonic origins of complex sounds. It sounds like you are pointing out the comparative differences between some altered sounds? Is that right?

I liked your video, it's just what I'm currently studying, and I finally understood it. I wanted to provide the relationship of the names (lidia - dominant lidia and locria - superlocria). something that I had not related before because it has so many different names (altered, pomeroy, diminished dominant, etc.). congratulations on your channel and I will follow you! greetings

@@gabrielbrumcomas Thanks for the follow and thanks for checking in. Yes for me, the clearest way to understand it is "Utility Phrygian (No Root)" because that is a way of viewing it in a comprehensive tonal fashion. All of the other names are kind of cousins one step removed, if you know what I mean. I'm glad you found it helpful.

@@jamclass Yes, I understand what you are saying, C Phrygian without the tonic. This analysis goes very well understanding it as modal exchange, etc. I am also transposing the II-V-I patterns of the major and minor mode to Phrygian vs altered. (Dm G7 C to Dm7b5 G7b9 Cm to Dbmaj7(#11) and Db7#11 or G7alt. The same patterns changing the base scales. Before I studied them separately and I had not realized their relationship. Greetings!

@@gabrielbrumcomas Yes, the phrygian has to contain both the flatted and natural sevenths. That's the key ingredient. W.A. Mathieu refers to this as "Utility Phrygian".

You are right. Learning them by rote is a different ballgame than knowing while playing, that's the "Unconscious Competence" part. Thanks for your comment. Standby for pt. 2!

Thanks so much. Lovely. Thanks for checking in. Please subscribe/follow.

It's my pleasure. Have yourself a rocking good time.

Thanks for the comment. Y'all come back, heah?

Ha

Get on with what, lol!

Thank you!

Glad you like it!

Glad you liked it! THanks for checking in. PLease subscribe/follow!

Suggestions for what, my friend? Thanks for checking in.

My guitar is just a bit brighter than the original recording.

Thanks for your kind words. I hope to do some more Mac DeMarco tunes in the future. Interesting artist.

Hi! Of, course, the whole point is to make good music. This is a beginner technique to help with efficient coordination of their fingers. It's just a starting point to help beginners with something even many advanced players have trouble with: excess tension in the hands. So you start from giving them all a job to do, and gradually increase their independence.

Thanks for your kind response. Yes, I agree, this is a tidy bit of picking.

Oh, it's my pleasure. May you make beautiful music.

You're welcome!

If you listen closely, I announce them at around 15-20 seconds into the video. A, D7, E7